others buy a view
YOU BUY A VOICE
001
001/THE GATE
002
002/THE WATER
003
003/THE LAND
004
004/THE RIGHT
IDX/AK
2026
BITCOIN ORDINAL
RARE LAND
LIVING SPRINGS
FOUNDING CIRCLE
SHAPE THE FUTURE
IDX/AK
2026
VISUAL EXPERIMENTS
FORM & FUNCTION
SOUND & MOTION
WRITTEN FRAGMENTS
THINGS I CAN’T EXPLAIN
You're not buying a view. You're claiming a future.
PROJECT FALCON is run by its holders, not a . Your Ordinal is your voice in the room — permanent, on-chain, impossible to take back.
It isn’t a listing.
It's the meeting of two rare things: land that can't be replaced, and a ledger that can't be rewritten.
THE GATE (TOCA DA ONCA)
WHR(2023)
Singapore (2014)
Osaka (2019)
Brighton (2018)
Sydney (2021)
INDX
// CONCEPTUAL
REVISION — NEUE 7.6
CONCEPTUAL BLOCK
unprintable.rare brazilian highland, entered in strng dollars, held in hard land. a foothold in a place the market has not found- that gets more valuable more region we hold. early is the entire point.
ASYMMETRY UNPRINTABLE
PRINCIPLE — 0.1
we build with the land, not on top of it. natural and repurposed materials.
PRINCIPLE — 0.2
self-reliant by design:clean water, gardens, food, animals. a safe haven that feeds itself.
EXPLORATION PHASE
THE HOLDERS MAKE THE LEGACY.
SOURCE — FIELD NOTES
THE TERRAIN— A.1
30,000 m² of protected highland behind a Bitcoin gate. Helicopter and vehicle access built in.
THE SPRINGS — A.2
Living nascentes. The rarest thing a piece of earth can carry.
THE BUILD— A.3
Several homes already underway, raised from natural and repurposed materials — a method proven on past projects.
THE VILLAGE — A.4
Gardens, food, animals, clean water. And a community that decides the rest together.
the triple stake
land — 04.13
INFUSED WITH BLOCKCHAIN
own it.
prove it.
shape it.
a stake in the land, written on blockchain, with a vote in what gets built. Most ownership gives you one. this gives you three.
ARTIFACT—I
ARTIFACT—II
ARTIFACT—III
[dominion]
permanent.provable.
yours. the chain rememberes who was early.
VERTICAL STORAGE — 2015-2026
ANALOG ARCHIVES
MOD — I/AK
the genesis 55
/
/
001
a first offering of , 55 keys. the capital does real work: securing the surrounding land , as we build out the haven water,homes,gardens, acess, solar power.
MOD — II/AK
the 108
/
/
002
a second round of 108 ordinals.every original egensis holder is airdropped one - to keep or to sell. you were early, and the chain proves it.
MOD — III/AK
the expansion
/
/
003
proceeds keep building project falcon and fund the next haven - in brazil or another are corner of the earth.
MOD — IV/AK
the community decides
/
/
004
holders vote on what is built, what it bought, and where we go next. everywhere the falcon fly's you fly.
MOD — V/AK
THINGS I CAN’T EXPLAIN
/
/
005
CREATIVE Ideas that arrived uninvited and refused to leave. The work that sits closest to who I am and who I’m still becoming.
PATTERNS EMERGE. FRICTION CREATES MEANING.
Signals form. Surfaces respond.
ILLUSION
LATENCY
PERSPECTIVE
CONTROL
EMBRACING THE
I follow ideas into places that don’t have names yet. Some reveal structure. Some collapse into noise.
Work shaped by movement, memory, and interruption. Studies in light, depth, and distortion. Each piece begins as a question and ends wherever it needs to.
WHAT HOLDS UP IS WHAT MATTERS.
Observation over explanation.
Process over certainty.
I follow ideas into places that shift as I step into them. Paths appear, vanish, reappear somewhere else. Some lead to clarity. Some lead to noise.
Both keep the rabbit moving.
I chase the things that change direction without warning. A line bends. A thought splits. A shape becomes something it wasn’t meant to be. I stay with it until it reveals a reason to follow.
The rabbit is never still.
Adam KNOXVILLE
VISUAL
Images pulled from movement, memory, and interruption. Studies in light, depth, and distortion. Work built from the urge to see what happens next.
FORM
Objects, systems, and structures under tension. Where function bends into expression. Tests built to reveal how materials behave when pushed.
MOTION
Frames driven by rhythm and atmosphere. Loops, pulses, and shifting perspectives. Pieces meant to be felt before they’re understood.
“Whether on paper or pixels, the goal is constant — design that disappears as the story appears, letting the work speak without shouting for attention” — AK
Modus vivendi
A delicate balance of stillness and movement, presence and absence. It captures bodies in transformation, suspended in quiet resistance.
Showing until 10 March 2026
Tate Modern Exhibition
Bankside, London SE1 9TG
CONCEPT / MOTION ART
CONTEMPORARY/
MOTION CONCEPT
A study in rhythm, distortion, and controlled imbalance. Surfaces react to movement. Movement reshapes the frame. The piece shifts between clarity and noise, revealing patterns you only see when they break.
2024
2025
NTRL 461.78.A.002
RIPPLE TRACE
VISUAL IDENTITY
MOTION MAPPING
ART DIRECTION
CONCEPT DEVELOPMENT
NDX — A7
Developing work across digital and physical formats.
Independent Visual Artist
"Perfection is achieved not when there is nothing more to add, but when there is nothing left to take away.”
— Antoine de Saint-Exupery
I’m a UK-based visual artist.
My practice is driven by experiments, systems, and iteration. Some work resolves quickly, Others evolve over time.
THINGS I DO
VISUAL EXPERIMENTS
FORM & FUNCTION
SOUND Design
Motion GRaphics
WRITTEN FRAGMENTS
Installation Studies
STORYBOARDS
Visual Scripts
others buy a view
YOU BUY A VOICE
001
001/THE GATE
002
002/THE WATER
003
003/THE LAND
004
004/THE RIGHT
IDX/AK
2026
BITCOIN ORDINAL
RARE LAND
LIVING SPRINGS
FOUNDING CIRCLE
SHAPE THE FUTURE
IDX/AK
2026
VISUAL EXPERIMENTS
FORM & FUNCTION
SOUND & MOTION
WRITTEN FRAGMENTS
THINGS I CAN’T EXPLAIN
You're not buying a view. You're claiming a future.
PROJECT FALCON is run by its holders, not a . Your Ordinal is your voice in the room — permanent, on-chain, impossible to take back.
It isn’t a listing.
It's the meeting of two rare things: land that can't be replaced, and a ledger that can't be rewritten.
THE GATE (TOCA DA ONCA)
WHR(2023)
Singapore (2014)
Osaka (2019)
Brighton (2018)
Sydney (2021)
INDX
// CONCEPTUAL
REVISION — NEUE 7.6
CONCEPTUAL BLOCK
unprintable.rare brazilian highland, entered in strng dollars, held in hard land. a foothold in a place the market has not found- that gets more valuable more region we hold. early is the entire point.
ASYMMETRY UNPRINTABLE
PRINCIPLE — 0.1
we build with the land, not on top of it. natural and repurposed materials.
PRINCIPLE — 0.2
self-reliant by design:clean water, gardens, food, animals. a safe haven that feeds itself.
EXPLORATION PHASE
THE HOLDERS MAKE THE LEGACY.
SOURCE — FIELD NOTES
THE TERRAIN— A.1
30,000 m² of protected highland behind a Bitcoin gate. Helicopter and vehicle access built in.
THE SPRINGS — A.2
Living nascentes. The rarest thing a piece of earth can carry.
THE BUILD— A.3
Several homes already underway, raised from natural and repurposed materials — a method proven on past projects.
THE VILLAGE — A.4
Gardens, food, animals, clean water. And a community that decides the rest together.
the triple stake
land — 04.13
INFUSED WITH BLOCKCHAIN
own it.
prove it.
shape it.
a stake in the land, written on blockchain, with a vote in what gets built. Most ownership gives you one. this gives you three.
ARTIFACT—I
ARTIFACT—II
ARTIFACT—III
[dominion]
permanent.provable.
yours. the chain rememberes who was early.
VERTICAL STORAGE — 2015-2026
ANALOG ARCHIVES
MOD — I/AK
the genesis 55
/
/
001
a first offering of , 55 keys. the capital does real work: securing the surrounding land , as we build out the haven water,homes,gardens, acess, solar power.
MOD — II/AK
the 108
/
/
002
a second round of 108 ordinals.every original egensis holder is airdropped one - to keep or to sell. you were early, and the chain proves it.
MOD — III/AK
the expansion
/
/
003
proceeds keep building project falcon and fund the next haven - in brazil or another are corner of the earth.
MOD — IV/AK
the community decides
/
/
004
holders vote on what is built, what it bought, and where we go next. everywhere the falcon fly's you fly.
MOD — V/AK
THINGS I CAN’T EXPLAIN
/
/
005
CREATIVE Ideas that arrived uninvited and refused to leave. The work that sits closest to who I am and who I’m still becoming.
PATTERNS EMERGE. FRICTION CREATES MEANING.
Signals form. Surfaces respond.
ILLUSION
LATENCY
PERSPECTIVE
CONTROL
EMBRACING THE
I follow ideas into places that don’t have names yet. Some reveal structure. Some collapse into noise.
Work shaped by movement, memory, and interruption. Studies in light, depth, and distortion. Each piece begins as a question and ends wherever it needs to.
WHAT HOLDS UP IS WHAT MATTERS.
Observation over explanation.
Process over certainty.
I follow ideas into places that shift as I step into them. Paths appear, vanish, reappear somewhere else. Some lead to clarity. Some lead to noise.
Both keep the rabbit moving.
I chase the things that change direction without warning. A line bends. A thought splits. A shape becomes something it wasn’t meant to be. I stay with it until it reveals a reason to follow.
The rabbit is never still.
Adam KNOXVILLE
VISUAL
Images pulled from movement, memory, and interruption. Studies in light, depth, and distortion. Work built from the urge to see what happens next.
FORM
Objects, systems, and structures under tension. Where function bends into expression. Tests built to reveal how materials behave when pushed.
MOTION
Frames driven by rhythm and atmosphere. Loops, pulses, and shifting perspectives. Pieces meant to be felt before they’re understood.
“Whether on paper or pixels, the goal is constant — design that disappears as the story appears, letting the work speak without shouting for attention” — AK
Modus vivendi
A delicate balance of stillness and movement, presence and absence. It captures bodies in transformation, suspended in quiet resistance.
Showing until 10 March 2026
Tate Modern Exhibition
Bankside, London SE1 9TG
CONCEPT / MOTION ART
CONTEMPORARY/
MOTION CONCEPT
A study in rhythm, distortion, and controlled imbalance. Surfaces react to movement. Movement reshapes the frame. The piece shifts between clarity and noise, revealing patterns you only see when they break.
2024
2025
NTRL 461.78.A.002
RIPPLE TRACE
VISUAL IDENTITY
MOTION MAPPING
ART DIRECTION
CONCEPT DEVELOPMENT
NDX — A7
Developing work across digital and physical formats.
Independent Visual Artist
"Perfection is achieved not when there is nothing more to add, but when there is nothing left to take away.”
— Antoine de Saint-Exupery
I’m a UK-based visual artist.
My practice is driven by experiments, systems, and iteration. Some work resolves quickly, Others evolve over time.
THINGS I DO
VISUAL EXPERIMENTS
FORM & FUNCTION
SOUND Design
Motion GRaphics
WRITTEN FRAGMENTS
Installation Studies
STORYBOARDS
Visual Scripts
others buy a view
YOU BUY A VOICE
001
001/THE GATE
002
002/THE WATER
003
003/THE LAND
004
004/THE RIGHT
IDX/AK
2026
BITCOIN ORDINAL
RARE LAND
LIVING SPRINGS
FOUNDING CIRCLE
SHAPE THE FUTURE
IDX/AK
2026
VISUAL EXPERIMENTS
FORM & FUNCTION
SOUND & MOTION
WRITTEN FRAGMENTS
THINGS I CAN’T EXPLAIN
You're not buying a view. You're claiming a future.
PROJECT FALCON is run by its holders, not a . Your Ordinal is your voice in the room — permanent, on-chain, impossible to take back.
It isn’t a listing.
It's the meeting of two rare things: land that can't be replaced, and a ledger that can't be rewritten.
THE GATE (TOCA DA ONCA)
WHR(2023)
Singapore (2014)
Osaka (2019)
Brighton (2018)
Sydney (2021)
INDX
// CONCEPTUAL
REVISION — NEUE 7.6
CONCEPTUAL BLOCK
unprintable.rare brazilian highland, entered in strng dollars, held in hard land. a foothold in a place the market has not found- that gets more valuable more region we hold. early is the entire point.
ASYMMETRY UNPRINTABLE
PRINCIPLE — 0.1
we build with the land, not on top of it. natural and repurposed materials.
PRINCIPLE — 0.2
self-reliant by design:clean water, gardens, food, animals. a safe haven that feeds itself.
EXPLORATION PHASE
THE HOLDERS MAKE THE LEGACY.
SOURCE — FIELD NOTES
THE TERRAIN— A.1
30,000 m² of protected highland behind a Bitcoin gate. Helicopter and vehicle access built in.
THE SPRINGS — A.2
Living nascentes. The rarest thing a piece of earth can carry.
THE BUILD— A.3
Several homes already underway, raised from natural and repurposed materials — a method proven on past projects.
THE VILLAGE — A.4
Gardens, food, animals, clean water. And a community that decides the rest together.
the triple stake
land — 04.13
INFUSED WITH BLOCKCHAIN
own it.
prove it.
shape it.
a stake in the land, written on blockchain, with a vote in what gets built. Most ownership gives you one. this gives you three.
ARTIFACT—I
ARTIFACT—II
ARTIFACT—III
[dominion]
permanent.provable.
yours. the chain rememberes who was early.
VERTICAL STORAGE — 2015-2026
ANALOG ARCHIVES
MOD — I/AK
the genesis 55
/
/
001
Studies in image, light, and distortion. Tests that don’t follow rules. Pieces built from instinct, error, and the urge to see what happens next.
MOD — II/AK
the 108
/
/
002
a second round of 108 ordinals.every original egensis holder is airdropped one - to keep or to sell. you were early, and the chain proves it.
MOD — III/AK
the expansion
/
/
003
proceeds keep building project falcon and fund the next haven - in brazil or another are corner of the earth.
MOD — IV/AK
the community decides
/
/
004
holders vote on what is built, what it bought, and where we go next. everywhere the falcon fly's you fly.
MOD — V/AK
THINGS I CAN’T EXPLAIN
/
/
005
CREATIVE Ideas that arrived uninvited and refused to leave. The work that sits closest to who I am and who I’m still becoming.
PATTERNS EMERGE. FRICTION CREATES MEANING.
Signals form. Surfaces respond.
ILLUSION
LATENCY
PERSPECTIVE
CONTROL
EMBRACING THE
I follow ideas into places that don’t have names yet. Some reveal structure. Some collapse into noise.
Work shaped by movement, memory, and interruption. Studies in light, depth, and distortion. Each piece begins as a question and ends wherever it needs to.
WHAT HOLDS UP IS WHAT MATTERS.
Observation over explanation.
Process over certainty.
I follow ideas into places that shift as I step into them. Paths appear, vanish, reappear somewhere else. Some lead to clarity. Some lead to noise.
Both keep the rabbit moving.
I chase the things that change direction without warning. A line bends. A thought splits. A shape becomes something it wasn’t meant to be. I stay with it until it reveals a reason to follow.
The rabbit is never still.
Adam KNOXVILLE
VISUAL
Images pulled from movement, memory, and interruption. Studies in light, depth, and distortion. Work built from the urge to see what happens next.
FORM
Objects, systems, and structures under tension. Where function bends into expression. Tests built to reveal how materials behave when pushed.
MOTION
Frames driven by rhythm and atmosphere. Loops, pulses, and shifting perspectives. Pieces meant to be felt before they’re understood.
“Whether on paper or pixels, the goal is constant — design that disappears as the story appears, letting the work speak without shouting for attention” — AK
Modus vivendi
A delicate balance of stillness and movement, presence and absence. It captures bodies in transformation, suspended in quiet resistance.
Showing until 10 March 2026
Tate Modern Exhibition
Bankside, London SE1 9TG
CONCEPT / MOTION ART
CONTEMPORARY/
MOTION CONCEPT
A study in rhythm, distortion, and controlled imbalance. Surfaces react to movement. Movement reshapes the frame. The piece shifts between clarity and noise, revealing patterns you only see when they break.
2024
2025
NTRL 461.78.A.002
RIPPLE TRACE
VISUAL IDENTITY
MOTION MAPPING
ART DIRECTION
CONCEPT DEVELOPMENT
NDX — A7
Independent Visual Artist
"Perfection is achieved not when there is nothing more to add, but when there is nothing left to take away.”
— Antoine de Saint-Exupery
I’m a UK-based visual artist.
My practice is driven by experiments, systems, and iteration. Some work resolves quickly, Others evolve over time.
THINGS I DO
VISUAL EXPERIMENTS
FORM & FUNCTION
SOUND Design
Motion GRaphics
WRITTEN FRAGMENTS
Installation Studies
STORYBOARDS
Visual Scripts
FAQ
The Art of Living curates spaces that inspire, balancing visual beauty with the ease of existence.
READY TO LIVE ARTFULLY?
Let’s make something that feels right forever. Honest, intentional, and handled with care.
READY TO LIVE ARTFULLY?
Let’s make something that feels right forever. Honest, intentional, and handled with care.